Thursday, February 11, 2010

Field of dreams

A day before the birthday, I dropped by Powerbooks-Robinson’s Place hoping to finally find Joseph O’Neill’s Netherland—a long wait. With the hassles (as always) of having to be in Manila for work, it was in itself a big treat. I voraciously read through my idle time at night, at the airport and inside the plane. I haven’t written an entry about a book I’ve read for so long a time, I can’t even remember what it was, but I just have to now.


It is understandable why O’Neill’s ingenuous and unique ode to New York “echoes” the great F. Scott Fitzgerald novel The Great Gatsby: it’s a modern retelling of the American Dream; here shared and narrated exquisitely in the lives of non-Americans Dutch Hans van den Broeck and Trinidadian Chuck Ramkissoon, their convergence revolving on the non-American sport of cricket. Yet, Americans would very much find their own places here in the not-so familiar nooks of New York. It is beautifully written, as evidenced by Hans’s retrospections and introspections full of imaginative vividness, nuanced by a great sense of longing and melancholy, yet also brimming with so much life. O’Neill writes beautiful passages that mirror layers of meanings-the wearing down of geo-cultural barriers, the empty field of dreams which we all are eager to fill with our own grandiose ones, the perpetual restiveness of man, and also, ultimately, love.

"I felt above all, tired. Tiredness: if there ws a constant symptom of the disease in our lives at this time, it was tiredness....A banal state of affairs, yes-but our problems were banal, the stuff of women's magazines. All lives, I remember thinking, eventually funnel into the advice columns of women's magazines."

"But surely everyone can also testify to another, less reckonable kind of homesickness, one having to do with unsettlements that cannot be located in spaces of geography or history; and accordingly it's my belief that the communal, contractual phenomenon of New York cricket is underwritten, there where the print is finest, by the same agglomeration of unspeakable individual longings that underwrites cricket played anywhere--longings concerned with horizons and potentials sighted or hallucinated and in any event lost long ago, tantalisms that touch on the undoing of losses too private and reprehensible to be acknowledged to oneself, let alone to others. I cannot be the first to wonder if what we see, when we see men in white take to a cricket field, is men imagining an environment of justice. "

3 comments:

Visual Velocity said...

I saw this book before in National Bookstore. I remember wanting to buy it, but because of budget constraints, I wasn't able to do so. It seems all my money are going to DVDs. I don't know if that's good or bad, heheh

jayclops said...

yeah, its quite expensive. but its worth it. considering i also bought this as a bday gift for myself haha. the fact that i wrote something about it speaks for my love for this novel. its just great.

The Scud said...

will get one for myself on my birthday. pero matagal pa yun. hehe.

Choose life. Choose a job. Choose a career. Choose a family, Choose a f—king big television. Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed-interest mortgage repayments. Choose a starter home. Choose your friends. Choose a three piece suit on hire purchased in a range of f—king fabrics. Choose DIY and wondering who the f—k you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing f—king junk food into your mouth. Choose rotting away at the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, f—ked-up brats you have spawned to replace yourself. Choose a future. Choose life . . . But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?

Renton, Trainspotting