Showing posts with label pop culture. Show all posts
Showing posts with label pop culture. Show all posts

Tuesday, February 24, 2009

How do you break free without breaking apart?

Apparently, they have the answer. Much as I wouldn't want to talk Oscars... Ok, whatever, let me post this fantastic photo instead of one of the most indubitable tandems, real-life at that, of 2008. Vanity Fair released this, and other actor-director tandems, weeks before ceremonies, but I'm posting it now.

Due to insistent public demand, or rather, due to a demand made publicly (hi Andy, hehe), I'm posting also the Woody-Penelope photo. What conjures up your mind?


Sunday, February 08, 2009

Anarchic.

Before Dev Patel rose to fame, thanks to the now probably overhyped Slumdog Millionaire, he was in this British TV Series called Skins. And it was Danny Boyle's daughter who suggested to get Dev, because according to Danny, there weren't skinny boys in India who'd fit the character of Jamal (in Slumdog).

Watched the season 1 of Skins on youtube the other year, and it was one of those things that I forgot, and now missed watching especially because youtube streaming isn't allowed in the office. The original trailer for the series is somewhere here (in this blog) but I dunno if it still works. Skins has some major kick-ass trailers. Here's the uncut season 2 trailer with a song from Radiohead's In Rainbows album. It kind of took off from the party-mode of the previous to a more somber and sensual vibe. The season 3 trailer borders on anarchic and features a new cast.
The pirated DVD stalls don't have Skins, and it's not like any TV series that you can actually air on primetime here unless you subject it to heavy editing, and British shows are not really the type of shows that local TV would buy the rights to airing. It's the type of show that is potentially dangerous in Philippine setting. Moral pundits would condemn it and label it debauchery. Complete mayhem. But whatever, right?

Sunday, November 23, 2008

What I need is a good defense.

Oh my friggin' gulay. This definitely made my day. Or my week, which was unbelievable grueling. The top 100 music videos of all time according to Stylus magazine. This is what you call a no-bullshit list. I couldn't really contend on the spots and who's occupying them because I think this is well-deserved. Why it rocks? Because these are videos that went beyond the boundaries of music videomaking, these videos created haunting, sad, classy, poignant images that I think can never be matched. And because they never make music videos like this anymore.

Because it brings back memories of a high-school me glued to the TV set, being mesmerized by videos such as Nine Inch Nails' The Perfect Drug or blown away by Blur's Song 2. Perfect Drug lands in the list but not in the top 20, though I think it should have been there, easily one of my favorite videos. Other faves that were in the list includes Virtual Insanity by Jamiroquai, Criminal by Fiona Apple which is at # 11, Tonight Tonight by Smashing Pumpkins and Just by Radiohead, which is at # 5. I expected Bjork's All is Full of Love and A-Ha's Take on Me. U.N.K.L.E. and Thom Yorke's Rabbit in your Headlights is at # 1.

Some names would be familiar as some of the music video visionaries landed on film themselves: Michel Gondry, Jonathan Glazer, Chris Cunningham and Anton Corbijn, who directed Joy Division's Ian Curtis' film biopic Control, one of my 2007 best. Gosh, I didn't know it was Jonathan Dayton and Valerie Farris who directed some of Smashing Pumpkins videos. Of course, you know, they went on to make that little movie that could, Little Miss Sunshine.

Monday, July 14, 2008

Honey, honey

Oh gosh why am I beaming when Amanda Seyfried started singing I have a dream/A song to sing, and why can’t I help myself but mouth Super Trooper/Lights are gonna blind me/But I won’t feel blue/Cause somewhere in the crowd there’s you? Super Trooper is actually my favorite Abba song. Father used to own this double cassette Abba collection, and that’s precisely the reason – me growing up listening to Abba tunes – I trooped to the theatre and watched Mamma Mia. Ok, so it’s so girly or rather so grandma-ish. I was actually sandwiched by two old ladies on my left and an old couple on my right. The theater though not really full was littered with old people ranging prolly between 40 to 60.

I first saw Ms. Seyfried in a Justice episode where she was mistaken a college high-class hooker -murderer and her partner Dominic Cooper appeared in the film adaptation of the play The History Boys. And yes Meryl Streep can sing, so does Mr. Brosnan. Maybe she’ll do a superhero movie next year. Who knows what she can do? Might as well do everything and risk life and limb. It was an okay musical, a bit mushy – it’s a celebration of mothers and daughters, what’d you expect – but totally enjoyed it. Abba, the phenomenal Swedish pop sensation, will only be further indelibly marked in the minds of those who grew up with them, who grew up singing to their songs, and will be introduced to the now generation who will hear for the first time some of the songs other than the much-karaoke-maligned Dancing Queen. Contrary to the now generation pop music, Abba songs will likely to remain for the longest time.

Speaking of disposable poppish (I actually just invented this word) tunes, I will officially confess my guilty pleasure recently -- oohhh, this is an SOS/don’t want a second guess or when you look me in the eye/I catch a glimpse of heaven. Yes, those squeaky pre-pubescent boys of the Jonas Brothers. I can’t get out of the friggin LSS. You can now laugh and crucify me. Speaking of more boybands, why are the pre-BSB and NSYNC groups suddenly arose from their boyband graves? New Kids on the Block and Menudo released their reunion singles recently. I’m guessing Marilyn Manson’s ears are bleeding right now.

Wednesday, May 21, 2008

The Davids

In a matter of minutes, the next AI will be crowned. There is no single doubt that the show’s influence has seeped into pop culture so easily that we now call this generation the Idol generation. What just unfolded is season 7, the first time that I actually watched the show. So I don’t really have an inkling as to the progression of the previous seasons which already spawned Grammy-award winning artists Kelly Clarkson and Carrie Underwood.

But, besides them, who has actually gone to the level of musical superstardom that Idol promises. It is important to look at the facets of Idol and I believe that this season, culminating with the 2 Davids, provides the perfect two-pronged analysis of this pop culture phenomenon.

One is consistency which can also be translated to predictability and stringent adherence to Idol norms – song choice, arrangement, even the icky pitch – and of course extreme likability which basically prompts the people to twiddle with their fingers to text or phone in. The other one is artistry, a certain level of craftsmanship and sincerity to the music that renders originality and flexibility, which roughly, could mean that it poses a level of unpredictability that excites another parcel of the voting populace. Taking into account the winners of previous seasons, the former still prevails.

Archuleta has an annoyingly good voice and has chosen smart songs. Clearly, he’s in it for the win. Cook, on the other hand, is the most sincere, most creative, and daring enough to shake the ground of predictability.


But whatever right? Staying in the scene is what matters. And Defying the Convention is always given a premium. Go Cookey! ‘Nuff said.

Choose life. Choose a job. Choose a career. Choose a family, Choose a f—king big television. Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed-interest mortgage repayments. Choose a starter home. Choose your friends. Choose a three piece suit on hire purchased in a range of f—king fabrics. Choose DIY and wondering who the f—k you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing f—king junk food into your mouth. Choose rotting away at the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, f—ked-up brats you have spawned to replace yourself. Choose a future. Choose life . . . But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?

Renton, Trainspotting