Friday, November 10, 2006

oddities

One of the lessons from our Into to Journalism course in college that stuck to me was the news values -- ironically the element of oddity is enumerated among the roster of news values, simply put, the weirder the news story goes the more likely it will devoured by readers. We have such eye for the unusual that a boxed feature story at the bottom of the front page featuring a revolution in underwear 'that makes you look bigger' beats the crap out of the headline about the recent Moody's ratings on RPs economic performance.

The other day, though it was not a news story featured on the front page, the headline photo of Imelda Marcos really caught my attention. Clad in her usual adornments, she posed for the camera ala Cleopatra. It gets atrociously funny when the caption says she's opening up a fashion line for the younger generation to have a taste of what-has-been during the Marcos era. Why not!??! It's just that it's grotesque.

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I had always thought witchcraft and magic were cool. I had even tried some of the magic spells and incantations but I guess I don't really have that knack, or better yet, the blood for it. I watched The Covenant last night without really expecting much than pure fun...and evil *evil laughs*. But it was remotely entertaining and felt like watching a heavy-metal video with combat scenes. It sucked big time in the ratings but surprisingly it debuted at the top of the US box office some weeks ago. And, it's not really common to watch boys toy over their powers as if it was some vanity project that would girls swoon.

It's The Lost Boys meets The Craft, and the movie derives much of its teen angst and energy on the two films, but I didn't feel anything 'cool' at all. Having powers were supposed to be fun and classy and cool. Though there's really nothing new about the subject -- bloodlines of the sons of Ipswich migrating to America after the witch hunts in France and England -- the writer could have concocted a more interesting take. The combat scenes are too lazily edited and relied heavily on the ear-shattering rock music background to create some impact.

Plus, there's too much skin shed off without the necessity. The producers should have re-titled it as "Half Naked Bodies and the Witching Hour". The director obviously capitalized on too much flesh -- girls conversing in their room either with just panties on or stripping to their undies and oil-slathered buffed-up guys butt naked in the school shower (what's the PG 13 rating for?). The guys talking on the phone shirtless and sweaty and a scene where the villain haughtily kisses the protagonist's cheek is smokin' with homoerotic undertones.

The movie would have been way cooler, not good, if not for the hackneyed script and overused one-liners top it off with actors whose acting revealed more cockiness than mystery. (The main actor, Steven Strait, was the long-haired rebel wierdo in Sky High, and you wouldn't recognize it was him.)

Then, it would really have been cool to be among the sons of Ipswich.

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Choose life. Choose a job. Choose a career. Choose a family, Choose a f—king big television. Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed-interest mortgage repayments. Choose a starter home. Choose your friends. Choose a three piece suit on hire purchased in a range of f—king fabrics. Choose DIY and wondering who the f—k you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing f—king junk food into your mouth. Choose rotting away at the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, f—ked-up brats you have spawned to replace yourself. Choose a future. Choose life . . . But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?

Renton, Trainspotting